谷文祎-B2016022228-从刻板印象理论看电影《撞车》中的种族形象-定稿.docx

22ContentsChineseAbstract2EnglishAbstract31.Introduction41.1ResearchBackground41.2ABriefIntroductiontoPaulHaggisandtheMovieCrash51.3Outline62.LiteratureReview62.1.StudiesAbroad62.2.StudiesatHome73.StereotypeTheory93.1TheDefinitionandClassificationofStereotype93.2StereotypeModels103.2.1TheContentModelofStereotype103.2.2TheCognitiveModelofStereotype103.2.3TheRepresentationModelofStereotype114.AnalysisofStereotypesintheMovie124.1TheStereotypesBetweenBlacksandWhites124.2TheStereotypesoftheColoredbyWhites144.3TheStereotypesamongtheColored145.CausesofStereotypesintheFilm155.1InnerFear155.2Language165.3Ethnocentrism176.IntentPassedbyStereotypesintheFilm176.1TornSocietyCausedbyCultureConflict176.2DesireforHealingSocialPain187.Conclusion20References21从刻板印象理论看电影《撞车》中的种族形象摘要《撞车》是一部关于文化冲突的影片曾获得第78届奥斯卡最佳影片奖是研究美国种族问题的绝佳素材。影片以独特的“冲突”视角审视了美国社会的种族问题将不同种族之间形成的刻板印象作为种族冲突问题产生的关键因素。因此利用刻板印象理论分析影片成为解构电影中反映的种族冲突问题的重要途径。文章通过分析白种人与黑种人之间、白种人对有色人种、有色人种之间等的存在的根深蒂固的刻板印象揭示出不同种族之间形成刻板印象的原因是由于人们内心对异族人或他们的行为产生的恐惧不同的语言交流存在障碍和种族中心主义造成的各民族之间的互相蔑视并在此基础上分析出影片的创作目的在于向观众展示因文化冲突带来的社会撕裂以及对治疗这种社会病的渴望。关键词：种族形象；刻板印象理论；文化冲突StereotypesinCrashfromthePerspectiveofStereotypeTheoryAbstractCrashwinningthe78thAcademyAwardforBestPictureisafilmaboutculturalconflictanditisanexcellentmaterialforstudyingAmericanrace.ThefilmexaminesracialissuesinAmericansocietyfromaunique“conflict”perspectiveusingstereotypesbetweendifferentracesasakeyfactorinracialconflict.Thereforeusingstereotypetheorytoanalyzethefilmhasbecomeanimportantwaytodeconstructtheproblemofracialconflictinthefilm.Byanalyzingtheinveteratestereotypesbetweenwhitesandblacksthecoloredbywhitesandamongthecoloredthispaperrevealsthatthereasonsforthestereotypesbetweendifferentracesaretheinternalfearofaliensortheirbehaviordifferentlanguagecommunicationbarri