伽达默尔阐释学视角下《赎罪》欺骗与赎罪研究.docx

AbstractThisthesisreliesonhermeneutics,comparesthethemeinthenovelandthefilm,makesthehermeneuticsusedinthefieldofthefilmadaptation.Atthesametime,thisthesistrytoexplain⑴whatisthedifferencesbetweenthefilmadaptionandtheoriginaltext?Isthefilm’sthemesameasthenovel?⑵Whatisthediscrepancyofsubjectivepresentationbetweenthefilmadaptionandthetext?⑶Shouldthedirectorbefullyrespecttheoriginaltext?byresearchingonthedifferencebetweenthefilmandnovel.Theresearchresultisthattherearemanydifferencesbetweenthenovelandfilminplot,ending,narrativeperspective,wardescriptionandaudio-visualeffect.Thethemeinthenovelisaboutwar,loveandconfession.Mostofthenovelisaboutwhatisconfessionandhowtoconfess.However,thefilmismorelikeabeautifullovefilm.AndthenovelismoreconcentrateonBriony’sconfession.SincethepublicationofthefilmAtonementin2007,thefilmhasbeenanalyzedandcommentedonfromdifferentperspectives.Atfirst,Gadamer’shermeneuticswaswidelyusedinthefieldofliterarytranslation.Withthefilmcameonthestageofhistoryattheendof19thcentury,thefilmontheadaptationofthenovelalsohasemergedandarousedpeople’sattention.Gadamer’shermeneuticsapplytothisfieldcouldprovideanewperspective.Keywords:Atonement,Gadamer’shermeneutics,filmadaption,confession摘要本文以阐释学为理论基础，对比分析小说和电影中的主题，使阐释学应用于电影改编领域。与此同时，本文尝试解释电影与小说的不同是什么？电影与小说表达的主题是否一样。电影与小说表达主题的方式有什么不同？导演是否应该彻底忠实于原著。研究结果是电影与小说在情节，结尾，叙事视角，战争描写和视听效果方面存在很大的不同。小说的主题是关于战争，爱情与救赎。小说的大部分是关于什么是救赎，怎样救赎。然而，电影更像一部爱情电影，小说则更专注于救赎。自从电影《赎罪》2007年上映以来，人们从多种角度分析了此电影。起初，伽达默尔阐释学被广泛应用于文学翻译领域。19世纪末电影登上历史舞台，电影改编也逐渐出现并吸引了人们的关注。将伽达默尔阐释学应用于这一领域也会提供一个新的视角。关键词：《赎罪》；伽达默尔阐释学；电影改编；救赎Chapter1.IntroductionThispapermakehermeneuticsusedinthefieldofthefilmadaptationofthenovel,studyonthethemeinthefilm.Atonementisanovelaboutdeceptionandredemption.AtonementismainlyaboutawritercalledBrionyTallis,athirteen-year-oldgirl,whoirrevocablychangesseveralpersons’fates.Becausesheaccusesheroldersister’sloverofacrimethatthemandidnotcommit.Toredemption,sheworkedasanurseduringtheWorldWarII,tryingtoredeemherselfbyhelpingothersanddoingpract