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初盛唐帝王诗研究摘要许多唐诗史学者认为由于南北朝绮艳文风与唐代宫廷奢靡生活的交织唐代许多帝王的诗歌并不被认可反而饱受诟病。甚至认为初唐到盛唐的一百多年里只有陈子昂这一位卓绝古今的诗人其余的无论是身居庙堂的皇帝还是重臣抑或是民间才子都没能彻底的实现诗的“自赎”。而笔者认为初盛唐的帝王对诗歌创作的热切态度和鼓励极大的促进了诗歌的发展诗在唐代的几次重大的历史性变革都与帝王的推动有着至关重要的作用贞观年间太宗扭转了齐梁文风开唐三百年诗歌创作之先河到了永徽年间高宗皇帝与武则天皇后对诗歌的推崇促进的诗歌的快速发展睿宗中宗都善于写诗只是存世不多。而到了开元-天宝年间玄宗皇帝又一次极大的促进了诗歌的发展。由此可见唐代帝王诗歌或许存在一些艳俗之处但其对唐代诗歌发展和唐代文学的发展的意义积极大于消极。正是由于有这些帝王的积极参与和鼓励诗歌才被印上了唐的烙印。关键词:初唐帝王诗;艺术特色;创作背景;影响AbstractManyhistoriansoftheTangDynastybelievethatthepoemsofmanyemperorsintheTangDynastywerenotrecognizedbecauseoftheintertwinednatureoftheNorthernandSouthernDynastiesandtheextravagantlifeoftheTangcourt.AndeventhattheearlyTangDynastytotheTangDynastyformorethan100yearsonlyChenZiangthisoutstandingancientandmodernpoettherestofthetemplewhetheritistheemperororministerorafolkscholardidnotcompletelyrealizethepoem""TheauthorbelievesthattheemperorsoftheearlyTangDynasty'spoeticcreationoftheeagerattitudeandencouragementgreatlypromotedthedevelopmentofpoetrypoetryintheTangDynastyseveralmajorhistoricalchangesarewiththeemperor'spromotionhasavitalroleZhenguanyearsTaizongreversedtheQiLiangwenstylethebeginningoftheTangDynastythreehundredyearsofpoetrycreationprecedenttotheemblemoftheemperorEmperorGaoZongandEmpressWu'spoemstopromotetherapiddevelopmentofpoetryRuiZongzhongaregoodatwritingpoetryJustsurviving.AndtotheKaiyuan-TianbaoyearsEmperorXuanzongonceagaingreatlypromotedthedevelopmentofpoetry.ThustheTangDynastyemperorpoetrymayexistsomegaudyplacebutitsdevelopmentofTangDynastypoetryandthedevelopmentofTangDynastyliteratureismorepositivethannegative.ItisbecauseoftheseemperorsoftheactiveparticipationandencouragementpoetrywasprintedontheTang'smark.Keywords:earlyimperialpoems;artisticcharacteristics;creativebackground;influence目录TOC\o"1-3"\u摘要2前