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目录 摘要、关键词·····················································(2) 摘要、关键词(英文)··············································(3) 引言······························································(4) 一陶瓷茶具把手的种类与特点······································(4) (一)陶瓷茶具把手的种类·········································(4) (二)陶瓷茶具把手的特点·········································(5) 二把手的造型与茶具设计··········································(8) (一)陶瓷茶具把手与造型的关系···································(8) (二)陶瓷茶具把手造型的处理方法·································(10) 结语····························································(17) 参考文献·························································(18) 图片来源························································(18) 致谢····························································(19) 摘要 陶瓷茶具是来源于生活,服务于生活的,其把手更是如此,无论是陶瓷茶具还是其它器皿的把手总体上来说,都是要适应其主体特点的,它可以在主体的功能效用起到完善和加强的作用下,最大化其自身的艺术美感。在具体造型设计上,局部与局部之间,局部与整体之间,都是和谐统一,整体统一完美的,把手与其它部件的关系、把手与主体的关系以及把手与把手之间的关系都是十分讲究的。论文试图探析陶瓷茶具把手的功能与造型结构的关系,以及把手与整体和各个部件之间的联系,从而使我们在处理把手时更加自然、得体。 关键词 陶瓷茶具把手造型设计 Abstract Ceramicteaserviceiscomesfromlifeandservicesforlife,thehandleisevenmoreso,whetherceramicteaorothervesselshandleoverall,aresubjecttoadapttothecharacteristicsofthesubject,itcanimproveandstrengthenfunctionplays,undertheactionofmaximizationitsartisticaestheticfeeling.Inspecificmodellingdesign,theregionalandlocal,regionalandglobalbetween,betweenareharmoniousandunified,wholeunifiedperfect,handletherelationshipwithothercomponents,handlesandsubjecttohandletherelationsbetweenandhandlerelationsareverycultured.Paperprobedintothefunctionofceramicteasethandletherelationshipwithstructure,andputhishandandtheoverallandtheconnectionbetweenthevariouscomponents,whichmakesusindealingwithmorenatural,decenthand. Keywords ceramicteaservicehandlesmodellingdesign 引言 图1色款莲子壶把手(清) 无论是平面的还是立体的展示,无论是具象的还是抽象的表现手法,无论是陈设性工艺品还是功能为主的日用茶具,其各个部分与整体之间都具有一种和谐的相互关系存在,茶具的把手也是如此,并且处处可以让人深刻感受到。 一陶瓷茶具把手的种类与特点 (一)陶瓷茶具把手的种类 图2裕林款圆钟壶把手(清) 喝茶是我国的传